gabriel vs. the chrome ball
So how did you and your childhood crew end up getting swooped up by Powell-Peralta, the biggest skateboarding company in the world at the time? I know you were the link there… weren’t you working on a sponsor-me tape at the time?
Yeah, I had a sponsor-me tape
going. It’s kinda weird because I was actually going to send it to Santa Cruz
the day I got on Powell Peralta. I was getting my letter together at school
that day and everything. I mean, I’d always wanted to skate for Powell but honestly
didn’t think it was possible. I figured I’d just try for Santa Cruz. I’d tried
a few other companies before and didn’t really get a response… though I didn’t
really have a video then. I was basically just sending out pictures and stuff.
Who’d you send stuff out to prior?
Oh man,
remember Epic skateboards? I sent some stuff to them back in the day. And
Rinalli Trucks! Remember them? I sent them some stuff, too. I didn’t want to go
too big so I tried to play it smart. I wanted to get on!
I get it. Hedging your bets.
Exactly. But with how Powell
happened, the timing was just so crazy. I was seriously planning on sending my tape
out to Santa Cruz that day after class. I just happened to call my shop
sponsor, Renee’s Skateshop, before heading over to the post office. Next thing
I know, he’s telling me how Stacy Peralta wants to meet me. I was bugging out.
I was always super Powelled-out so this was incredible to me!
“Come on, man! Stop fucking with
me!”
But he was serious! They were playing my tape at the shop when
Stacy’s secretary happened to roll by and see it. She asked Renee if she could
take the tape back to Stacy and he liked it, the backside 360 ollies and what
have you. He called the shop that day to try and set up something to meet with
me. I was beyond elated.
Unbelievable. But
were the L.A. Boys tight before the Powell hook-up?
We all skated for Renee’s Skateshop
back then but we’d known each other for a while. I mean, Rudy and I have been
friends forever, man.
Yeah, didn’t you borrow his baseball glove or
something back in the day?
Yeah, we used to play little league
together from, like, age 8 to 11 until I stopped... my parents sent me back to
Chicago, where I’m originally from. I stayed there for a year or so with my
sister. When I came back to Los Angeles, I tried getting back to the baseball again
but the love wasn’t there anymore.
While I was in Chicago, my friends
that used to live next door to me had moved a mile or so up the street. When I
got back and wanted to go visit them, I started rolling around on this cheap
plastic skateboard I had as a way to get up there. After a while, they all
started skating, too. They had some friends who skated as well and when I went
to meet up with these other guys… BAM! I see Rudy! Rudy’s skating now, too.
“Oh shit! I think I owe you 5
bucks!” (laughs)
He’d given me a batting glove the
summer before and I ended up going to Chicago so I never saw him to give it
back. Kinda funny but whatever.
So we just start skating all the
time. It was super fun. This is like 1987 and all I had was this real shitty $20
swap meet board but I worked it out. Of course, I wanted a legitimate board but
I wasn’t gonna let that stop me.
From there, Rudy and I just kept at
it, kept skating. He ended up moving to West Covina a year later or so, which
separated us a bit but also meant more stuff to skate. My dad started taking me
out to Rudy’s house to skate on weekends. It was a nicer, safer neighborhood so
we didn’t have to worry so much about all that other stupid stuff.
We both got shop sponsors and
started skating contests, which is actually where we started seeing Guy around.
He was this little kid doing everything. He was just so tiny, man… destroying
everything as an infant.
Shop sponsors were so important
back then. All these contests were largely shop teams competing against each
other. We were always sizing up the competition and you couldn’t miss Guy. He
was skating for Val Surf at the time but we had some mutual friends so we
started skating together. Even though Guy is from Burbank, we both had friends
down in Glendale who skated and had a car to meet up. Guy and I just clicked.
Paulo was always more of a
word-of-mouth type of guy. He was never much of a contest guy, even back then.
You always had to track him down. When we used to skate Beneficial up here on
Wilshire, we’d always hear these stories about this guy named Pablo. It was
always Pablo this and Pablo that. We finally got to meet him and turned out the
he’d actually already been on Renee’s. It was on after that.
So how did you manage to get everyone on
Powell?
Basically by sitting down with
Stacy. This was early on when we were just beginning to talk about working
together… sending me boards and stuff. I was down, of course, but I also felt
that if he liked what I was doing, he’s gotta check out my friends, too. We
already had been in a Renee’s shop video together so I showed him that.
“Hey man, you should probably put
these guys on, too.”
Just as a suggestion, you know?
Like, if you like the way I skate, you’re gonna love these guys’ skating. And
that’s how it worked out. We each got our own little personal “try-out” session
with Stacy to try and get on the team. We’d just go skate Los Feliz or something
with him and do our thing, which was pretty crazy. It was hard to believe it
was really happening.
But yeah, I was first. Then we went
and skated with Guy and he got on. Paulo was next and then Rudy. Next thing you
know, we were all on Powell-Peralta. (laughs)
Were you aware of any hesitancy on his part with
sponsoring Rudy back then?
Not at all. Honestly, Rudy did
really good that day. He skated unbelievable for his try-out. I vividly
remember that.
I was surprised to hear that come
out. I honestly can’t see Stacy saying that because of how Rudy was skating.
Maybe it was something more personal between Stacy and Rudy that made him say
that? Something that happened later? I mean, Stacy always liked Rudy but it was
Rudy that took Guy from Powell. I think that might’ve had something to do Stacy
saying that. That’s what I think went down.
…fuckin’ Rudy. (laughs)
 |
| courtesy: vertisdead.blogspot.com |
So when did you guys find out that you were all
going to be in Ban This? Were you
guys always going to be filming together? Those videos were huge!
Yeah, we were stoked. We always
loved Stacy’s videos and the whole Powell team dynamic. It was great.
It was always going to be all of us
together. Street skating was started to gain more attention and Stacy wanted to
treat us like how he did Ray Barbee and those guys in Public Domain…
Yeah, the Rubber Boys.
Exactly, just a bunch of kids
running through, skating street together. We were down with anything he wanted
to do. Whatever he said, for sure. All we were trying to do was skate, we
trusted him with all that other stuff.
Was that just a couple days of wearing the same
clothes? On film, too!
Yeah, it
was 2 separate weekends in the same clothes. Just like the movies! Gotta have
that continuity!
I remember us always call each
other the night before to try and figure everything out. We just wanted to
skate our best.
And it
wasn’t even video back then, it was movie film. Not VHS. So it wasn’t as easy
to film as it would be later on but we did our thing.
Were you guys allowed time to really try tricks
or would Stacy want to move on fairly quickly?
It honestly
depended on the trick. Sometimes he’d wait it out or even want to come back
another time to try and get something.
The problem
was that we filmed first for the video. Before everyone else on the team. What
we filmed was good at the time but it didn’t come out until a year and a half
later. So, in the meantime, we’re hitting
up Stacy constantly like, “What’s up!? Check this out! We got this and that
now! We need to film some more!”
It just seemed like forever for the
video to come out and our stuff was so old by then. We were so much better by
the time it came out. I don’t like blowing my own horn or whatever… and I
understood and appreciated him telling us that our time would eventually come
but it was a little frustrating. I don’t know if he thought our stuff was too
good or whatever, we just wanted to do our best.
So were you kinda bummed on that part in a way
because it was “old” footage in your eyes?
Oh no! My goodness, I was
completely overwhelmed! I loved it!
What I was saying was just one
small thing on my part personally. Everybody’s reaction to it was amazing. I
couldn’t believe it. I wouldn’t even know what to say back to all these people when
they’d be complimenting me on it. All I could do was thank them in return. It
was amazing.
What about that iconic Mini-Rats
wheels portrait? Was that always supposed to be an ad? Was there a part of you
that wished you were skating in it instead?
We had
total trust in Stacy back then. We just skated and felt lucky to be part of the
whole thing. Whatever he wanted to do was fine by us.
But yeah, it
seemed like once Rudy got on, we began to take little pictures and things
together. I don’t think we knew that was going to be an ad but when they put it
out, my goodness! I couldn’t even believe we were being communicated by Stacy.
Totally starstruck.
It worked. The breakup: did you see
Guy and Rudy heading over to Blind? Did you know Gonz was in the mix like he
was?
I think it
was right after our second California Powell tour when Mark called Lance for
Rudy’s number. Just to go skate and do their little thing. As their leaving
Powell for Blind was happening, Rudy and Guy definitely kept it from me… and I
felt betrayed! Damn right, I felt betrayed! (laughs)
Oh my
goodness, it was just a terrible, terrible thing. Just out of the blue, I find
out they left. They didn’t even tell me! I had to find out on my own! I
understand why they kept it from me because I wouldn’t have had it but them not
telling me made it so much worse. It was such a shock to me.
I mean, I
wasn’t going to go looking for them to fight or nothing. People always think
I’m some type of tough guy or something. It wasn’t anything like that. But I
definitely wasn’t pleased about it at all.
Powell did seem more invested in
you, though. Was there ever work on a Powell pro model before you defected?
It was
definitely right around when those guys quit that Powell started working on my
first graphic. I still have the t-shirt. They made the t-shirts up but just
painted one board and silkscreened it real fast with the graphic.
What was the graphic?
You know
those bar codes when you go to a supermarket and they scan your stuff? My
graphic was one of those going down on the left side of the board with my name
and “Powell-Peralta” where the numbers would be.
Honestly, I
always felt like they were only doing that because they were nervous about me
leaving, too. I think they thought they could use that as a way to make me
stick around.
The ad had a feeble grind down a
rail, right?
Yeah, that
was it. That was the graphic.
But the
fact is that I was still loyal to Powell. I didn’t even need all that. I was
super upset with Rudy and Guy… like I couldn’t wait to see those cats. That was
mentality. I wanted to give them a piece of my mind. I couldn’t believe they
would leave Powell! (laughs)
Why the UPC code?
That wasn’t
my idea at all. They just walked up with it but I thought it was cool. I was
psyched. I mean, it’s a pro board on Powell! But like I said, I just think they
didn’t want me to leave. After Rudy and Guy left, they wanted to turn me pro
immediately after those Am Finals in Reno.
Where was Paulo during all of this?
Because he stuck around with Powell as well. Did he feel betrayed by those guys,
too?
Paulo was
always off being Paulo, doing his own thing. Always. I really wasn’t sure where
he was when all this was going down. He never went on tour with us or anything
like that. I honestly don’t know why that always was.
We didn’t
really go skating with Paulo all that much back in the day. We liked to go
skate spots on our own, just us, without too many other people around. Paulo
was always rolling around with 20 skaters following him. We’d be at the spot
and Paulo would instantly blow it out with all these people. We’d just be
standing there like, “Damn, fool! We’re gonna go over here, man. We’ll see you
later.”
The more
kids there are, the more likely you’re going to get kicked out. Plus, you can’t
really focus with all those people around. But that’s how it always was with
Paulo.
But yeah, he
was always local. Always by the house. Innovating, for sure, but always around
his own area.
You brought up those Am Finals in
Reno… what were your thoughts on the “Kids that play with themselves go Blind”
shirts? I know you were pissed at them
but those were your boys!
It was
crazy, man. But honestly, that was part of the reason why I ended up leaving Powell.
I was totally loyal to those guys but they were so afraid of me leaving that it
worked against them.
We were all
in the NSA Am Finals together that year in Reno. I had already seen Guy and
Rudy at the Semi-Finals a few weeks earlier, after they had left for Blind. I
was vibing them pretty hard at that one… Not that I was threatening them but they
knew exactly what they did and how I felt. Definitely.
By the time
Reno comes around, I was over being mad at them. So I see them over there and
hit ‘em up like, “What’s up, fool!” Just that quick, it’s like old times again.
We’re all hanging out together, kicking it.
I come to
find out that my team manager for Powell doesn’t like me hanging out with those
dudes, my friends. He said it made him nervous. These guys are all friends
again? What the hell is going on?
It was
weird because he actually pulled me aside to make sure that everything was
still cool. Why? Because he saw me hanging out with my friends? I had done
nothing wrong and was always loyal to Powell. I thought this was so strange and
seemed like it came out of nowhere. I was sitting there talking with him but
the more I thought about, the more I didn’t like it.
“You know
what, man? No, it’s not. This isn’t cool.”
They can’t
try to keep me from hanging out with my friends. That’s just not right and was
really upsetting to me. Even if we don’t ride for the same company anymore, we
can still be social. They’re still my friends!
So out of
nowhere, once it was all over, I remember thinking to myself, “Did I just quit
Powell? I guess I just did!”
I didn’t
think about any of this beforehand. I had no back-up plan at all. And Powell
has now taken my pier-diem and kicked me out of my hotel. Suddenly, I got to figure
some stuff out.
The way it
ended up, I qualified for the contest under Powell-Peralta and the next day, I
entered under World. It just so happened that at the time, Natas and Rocco were
hanging around together at the contest… so, of course, everyone is whispering
about how Rocco is stealing Natas now or whatever. (laughs)
So after
all that went down with me and Powell, I called up Rudy at their hotel like,
“What’s up, man? What are you guys doing?”
“Nothing,
man. What’s up with you?”
“I just
quit Powell!”
They were
shocked. Super surprised and almost happy in a way, but shocked. They just
started giggling.
I head over
to their hotel and Rocco and Natas come into the room. Guy and Rudy are going
crazy, “Oh shit! He quit!” (laughs)
“They took
all my money!”
Next thing
I know, Natas is handing me a $100 dollar bill. I wasn’t expecting that but I
was cool with it. That was the beginning of 101.
Describe the early days of 101. Did
you know Natas prior to joining the team?
Not at all.
I remember seeing him around LA sometimes and just thinking to myself, “Wow,
that’s the guy right there!” (laughs)
Those early
days of 101 were incredible. He was skating so well when we first started
meeting up. Way ahead of everyone else. Natas was the first dude I ever really
saw doing nollie stuff. Nollieing into grinds, nollieing over benches… and this
is way back. There was literally no nose on those boards back then but he could
do it.
I was on
101 before it even had a name. Everything was such a slow process with the
company, just getting stuff together. I remember going on World tours with all
those guys and 101 didn’t even have boards yet. Natas would have to give me his
old Santa Monica Airlines boards. I’m out there doing demos with the World guys
and here I am on SMA boards… I guess that probably looked pretty weird, right?
I never really thought about that until now.
I remember
going to get the first shapes done. We were doing a bit of filming, too. I
really felt things were going to work out great until he broke his ankle. It
was just different after that… 101 was kind of just me for a while after Natas
got hurt. I couldn’t believe it when it happened and I hated it for him but at
the same time, I did need a bit of help, too. I felt totally alone on the team,
which I was… doing the solo-flex by myself over here.
I was kinda
young still and had just started drinking… it wasn’t an easy thing. I felt very
alone on 101 after Natas got hurt.
But weren’t you around Guy and Rudy more
after reuniting under Rocco? That was around the time they were filming for Video Days, right?
Actually I
wasn’t around for any Video Days.
What’s
interesting is that I vividly remember around the time my Gremlin board came
out on 101, Rudy and Guy taking me inside some office and showing me their
footage. It was all so under wraps. Nobody even really knew about it. All of a sudden, it was like, “Check this
out!”
Boom! What
the fuck is all this? These guys have all this footage? I had no clue! And it’s
not like I wasn’t around.
I
appreciated the quick heads-up though. Guy was doing those crazy noseblunt
slides… I definitely started doing them after that, too.
How much of a voice in the overall direction
of 101 did you have as an OG? Were you consulted on riders and ads?
For sure. Natas
was completely open to everything I had to say. He’d throw suggestions at me and
when I made comments or decisions, he’d listen. He was completely open to
everything I had to say. Natas was great like that.
A lot of
people don’t know this but the third rider for 101 was Steve Berra. It’s
actually kinda weird to think about now but you gotta remember that this was
back when people were talking about how vert was dead at the time. Berra was
vert skater back then, too. But Natas liked his skating and wanted to know what
I thought. He showed me his tape and I remember telling him, “Fuck yeah! We
need a vert skater! That would be excellent. Vert ain’t dead. Vert is dope.”
(laughs)
Steve’s
tape was sick, too. He was doing mctwists and shit… hell yeah, put him on! We
weren’t going to listen to what other people had to say. We’re putting on vert
riders because we like their skating. This is what we like and what we have to
say.
I was
psyched when we got more guys on the team but even then, they still seemed so
far away. Leigh Petersen was in Washington, Markovich was in Laguna Beach or
something like that and Koston was down in San Diego. They were on the team but
I wasn’t skating with them. I was still alone in that respect. I found myself
skating with some of the newer cats around my way, the ATM Click and the crew
around XLarge as opposed to other 101 riders.
Where did the Jesus graphic come
from? Was that always the plan for your pro board and did that have anything to
do with the crazy satanic one Natas came out with shortly thereafter?
My Mom used
to have this humongous Catholic mantle in the house back in the day with all
these Jesus pictures on there. Before Natas even turned me pro, he used to come
over to my house to get to know my Mom and everybody.
I remember
him walking in from the backyard one day and he just points to this huge
picture of Jesus we had and says, “Hey, that’s gonna be your first graphic.”
On the
inside, I was jumping for joy but I had to play it cool.
“Wow, man…
okay. “
But no, my
Jesus board didn’t have anything to do with that Satanic one he had later. It
just worked out that way. That wasn’t planned.
Where did that quote about working
at El Pollo Loco and tucking in your shirt come from?
(laughs) My
friend worked at El Pollo Loco up the street and that was our spot. They had
some great curbs and used to hook us up with free food all the time. That was
just my spot up there, man!
It was one
of those things where Natas asked me to write something for my ad. I didn’t
know what to say so he asked me a couple questions about turning pro and that
was one of my responses. As soon as I said it, he told me to write it down.
At the
time, I was basically saying that if this skate stuff didn’t work out, maybe I
could get a job up there. That’s how that came about. Basically, I just didn’t
like tucking in my shirts! (laughs)
How did that classic Gabe vs. The Crusher graphic come about? Super advanced for the time.
That one
came from Spike and Natas. I remember them coming up to tell me about this idea
for a graphic they had. I figured that everything had worked out so far, why
not? They honestly didn’t even have to tell me what it was, I was going to do
it.
So
basically we went out into the backyard and I got Natas in the Camel Clutch. I
remember Natas and I tried a few different wrestling moves but that one worked
the best. Spike took the photo and they
went off to CGI the Crusher into it.
I liked how
that one came out but it was all thanks to those guys.
Have you seen the P-Rod homage with
Scuba Steve?
Yeah, I
have. That was really cool to see!
Who usually came up with your
graphic ideas? And do you have a personal favorite? So many classics there: the
bloody drill, the grenade, Superhombre…
Honestly,
those ideas usually came from Natas and whoever the artist was. They were
always so good that I basically trusted them with whatever they wanted to do. Whatever they said, I went along with even
if I didn’t totally get what they were talking about at first. I was basically
a “yes” man at the time. I’m sure if there was something I didn’t agree with, I
could’ve said no but there really wasn’t any need.
As far as a
personal favorite graphic of mine, I’d have to say the Gremlin. I loved that
Gremlin board a lot… And the Andy Jenkins one. The Power of One with the
grenade, I liked that one a lot, too.
For
Chocolate, I’d have to say the Evan Hecox city series where we were all in
there on the street. Each of the riders on a board out in the city. That was
really cool.
Were you down with doing ads like
that 902101 ad where you might’ve ended up looking a little silly?
Yeah, man!
Who cares? I don’t take myself seriously and it was all fun. It was hilarious!
Natas made a beautiful girl! I loved it.
 |
| Courtesy: vertisdead.blogspot.com |
Talk a little bit about that banned
101 suicide ad you were in that inadvertently sparked Big Brother Magazine. Wasn’t
it like you not making frontside 360 ollies and then a photo with a gun in your
mouth?
(laughs)
Yeah, we shot that in New York on a trip. It was Natas, Spike and I. We kinda
just made it up on the spot. I couldn’t get this frontside 360 ollie that I
wanted to do for what was supposed to be the ad. It just wasn’t working out for
me that day. That part was real. But the next thing I know, Spike and Natas are
both just laughing, talking to me about “Let’s be controversial!”
They went
with it. They were seeking a reaction because magazines were banning so many ads
at the time. World was always trying to do some controversial ads and magazines
were getting tired of it. I can’t believe all that ended up happening as a
response to that ad, though. It’s a trip. We were just goofing around.
I gotta admit that I always thought
it was weird your 101 Promo part was so short after not having a video part in a
while. What was going on there?
It had to
do with how weird skating was at the time. Everything was so sloppy… all flippity-flop
with boards bouncing off the ground and landing back on your feet. It was a
mess! I wasn’t down with all that backfoot flip-flop stuff at all. I just
couldn’t deal with it.
I honestly took
a bit of a hiatus at the time because I was so turned off by it. I wasn’t
feeling where skating was at back then.
Did you ever get pressure from Natas
or Rocco to put out more footage? You were definitely known for having some of
the shortest parts in skateboarding history.
No pressure
at all. As long as my board was selling, what are you gonna do?
Tobin
Yelland once told me about being at World one day right after the Plan B Questionable video had come out and
Rocco was telling everyone how my board was selling the best, even though I
didn’t even have a video part out. That’s crazy to think about, actually.
But as long
as your board is selling, no one has any problem with short video parts.
Were you skating and not filming or
just not skating? Did you like shooting photos and filming back then?
I didn’t
mind that stuff at all. It was fun. Sometimes you have your good days and
sometimes you don’t but I always liked it, especially if there was something
you really wanted to get.
Honestly, I
just wasn’t as into skating as much at the time. I was hanging out with Rudy
and Guy so I was still skating some but it wasn’t really until I started
skating with Paulo again around 1993 or so that I started to get back into it.
I was basically at the point where I was just like, “Fuck all this
flippity-floppity shit!”
This was
right when Paulo got on Stereo and he’s switch ollieing picnic tables like its
nothing. Nollieing tables, too. Nobody was doing that back then. He was just
killing everything, first try: boom, boom, boom.
Skating
with him again during this time was really good for me. He was obviously
getting me psyched with his skating but it was also like reuniting with an old
friend. That’s when I feel like I was really starting to get things rolling for
myself again.
For me, I
always loved picnic table stuff and this is really when I first started skating
them. I was always more about the tables and grinds instead of that flippy
stuff and I feel like Paulo and I were just feeding off each other.
How was your relationship with
Rocco?
That’s a
good question. It’s hard to say, actually. It’s a little more difficult for me
to answer because I didn’t really deal with him that much, I dealt with Natas
more or less. I didn’t really have anything against Rocco.
The Girl guys obviously had their
suspicions.
My only suspicions
would be hearing what Tobin said about my board being the highest-selling board
but I’m only getting $500 checks. That was suspicious to me.
Were you bummed you weren’t in that
original Girl mix? Were you even aware that Rudy and Guy were leaving again
this time?
(laughs)
They pretty much snuck out on me again. Yeah, they did. But I wasn’t mad at all
about Girl. I was happy for those dudes.
Chocolate
basically came about through Chico. He was the first guy. Paulo got on and
through those two dudes is how I got put on. I was skating with Paulo all the
time back then anyway. He said they’re gonna start a whole nother company with
Girl… let’s do it then. Like I said, I had those suspicions that only made me
more excited about this new thing.
Was the impending Chocolate plan the
reason why you only had 1 trick in Snuff?
Exactly.
That was basically the transition point. I had some other stuff but that was
right at the cusp of leaving for Chocolate. Snuff
was perfect timing right in the middle of all that.
How did the concept for Paco come about? And how did you like
your first foray into acting, Mr. Deniro?
Oh wow.
Yeah, it was either Spike or Rick who came up with the idea. I was down. It
sounded like fun. Let’s have some more fun. They made it happen and it was
cool.
As far as
calling it “acting”… well, I guess you could call it that but not really. The
thing with Paco is that there
actually weren’t any lines for us to learn. They dubbed it all. Remember those
old kung-fu movies where people would talk and the mouth would move totally
different than the words you’d hear? That’s what they did for us. It was so
funny. We really didn’t have any lines because they were going to overdub them
for us with other peoples’ voices anyway. Total kung-fu style.
So I just
went out there and had fun. It was great time, man.
What was it that got you so
motivated for your Paco part?
It just
felt good being reunited with Rudy, Guy and Paulo all together again on the
same team. That’s pretty much what it was for me. It was a good time.
Skateboarding was changing back to where all that flippity-floppity stuff was
going away and we were all back together again. It got my juices flowing again.
Let’s do it.
How much of an influence did your
immediate crew had on your attitude towards coverage? Because it’s not like
Guy, Rudy or Paulo were the most productive skaters back then either. Did that have
any influence on your outlook towards producing?
Not at all.
I never even really noticed those dudes’ coverage actually. I was just kinda
off doing my own thing.
“94 and what?”
Basically,
“94 and what?” worked out the same way that whole “Tuck My Shirt In” did. It
was something to say at the time. It just popped out of nowhere. I’m sitting
there and they asked me to say something… so I did. That video part was pretty
much 1994 so it just came out. It was supposed to be funny but I keep hearing
it. It just stuck. People kept on coming up to me and saying, “And what!” I’ve
never really known what to say back. (laughs)
And yeah, I
did that throw-up. I went by “Aya” at the time. Guy, Rudy and I were all doing
that stuff back then but we didn’t really take it that serious. It was more just
fun for us.
So what ended up happening with you
and Chocolate in the end? You seemed to have some solid backing from DVS but no Chocolate
Tour part and then your board went away not long thereafter. What happened?
Basically,
I broke my ankle in ’97 so I was out for a little bit. I was still skating
after all that but I honestly didn’t want too much of that footage in the video,
know what I mean? Maybe I’ll be in next one.
The problem
was that my situation personally wasn’t that good. I was drinking a lot and that
was pretty much the reason why things came to an end the way they did. I was
just in a bad place and couldn’t get it under control.
Did you try for any other sponsors or were you
pretty much over it?
Hell no. No way. Chocolate was it
for me. If I wasn’t going to ride for Chocolate, then nothing.
The LA Boys obviously share a
special bond. Has it been difficult for you to witness some of the personal
struggles your friends have gone through over the years?
We will
always have that bond. Those guys are my brothers. We’re skate blood brothers
and that is ‘til death. And yes, it has been hard to witness some of that stuff
first-hand over the years. Definitely.
No one
wants to see their friends going through stuff like that.
Did you ever try to step in and
intervene? Or did they try to keep it hidden from you?
No, it was
pretty out there. I will say that all I did was drink. I’m a drunk. That’s what
I would do. But there would be times where I’d be seeing these fools doing that
shit, I’d just be standing there like, “Damn, dude.”
I’d try to
make them realize but after a while, you get tired of saying that. And at the
same time, who am I? I was out there drinking my ass off at the time. Who am I
to judge?
Why have the LA Boys run into so
many problems over the years?
I think its
mainly just that thing called “life”, know what I’m saying? Everyone goes
through their ups-and-downs, when they’re pro and even when they’re not. That’s
just life, in general. It didn’t necessarily have anything to do with success
or money. People had personal issues going on and this kinda stuff can happen.
Of course.
If you look
at it, most of these breakdowns we’re talking about happened in the late-90s.
It is what it is.
Why do you think that was?
I don’t
think that it really had to anything to do with age or anything like that. It
was more or less about skateboarding completely changing around that time.
I remember
going up to kids at the time and asking them who their favorite skater was.
They’d say Paul Rodriguez. It was always Paul Rodriguez.
I’d start
to ask them questions like, “Who is Mark Gonzales? Who is Natas Kaupas?”
I’d ask
them who Guy Mariano is.
They’d just
be standing there, looking at me like “Who!?!”
Things were
changing and we weren’t young anymore. That’s a tough thing for anyone to deal
with.
But Guy is still able to hold it
down after all he’s been through. His comeback must be inspiring for you to see
as one of his oldest friends.
Of course,
without a doubt. But the most important thing is that he’s well. Fuck the
comeback, as long as he’s better and not where he was. He’s a changed man, a
family man now. It’s good to see.
I’ve always
said that Guy is the best skater in the world. It’s the truth.
What’s the gnarliest thing you ever
saw Guy do that was never filmed or photographed?
Oh wow,
that’s a good question.
You know
that bank-to-wall in Hollywood that Natas used to do those frontside wallrides
where he’d grind the top? I remember Guy doing a blunt to pivot, kickflip in on
that thing. And I think we were drunk, too.
I don’t
recall seeing that anywhere.
Looking back on everything, do you
ever wish you would’ve filmed more during your prime?
Honestly,
not too much. I will say that before that first 101 video came out, Natas and I
were actually filming some stuff for a video that was supposed to come out before
the first one. I had so many tricks from back then. I really did film a lot for
that one but none of the footage ever came out. I think Natas might possibly
still have it. I’m not sure why that footage was never used.
Do you think a comeback like Guy’s
could’ve ever been in the mix for you?
To be
honest, I’ve never really been interested in anything like that. I was done,
man.
I stillskate, I’m just retired now… even though I’ve actually been skating more now
than I have in the last six years. I had to take a break there as I was acting
as caregiver for my mom but I’ve been skating a lot as of late. I’m just happy now
when I’m able to get out there when I can.
Can’t thank you enough for doing
this, Gabriel. Any thing you’d like to add as we wrap this thing up?
I'd just like to thank Rick Howard, Megan Baltimore, Mike Carroll and Spike Jonze for helping me out so much over the years.
I'd just like to thank Rick Howard, Megan Baltimore, Mike Carroll and Spike Jonze for helping me out so much over the years.
