Showing posts with label jim thiebaud. Show all posts
Showing posts with label jim thiebaud. Show all posts

7.06.2013

guest post: aaron meza

the Mez waxes poetic about the 80's most impossible-to-find shoe.







This is some nerd shit right here. It goes out to all of those (and I'm hoping there're quite a few) who in the late '80s futilely searched for some white leather high-tops, laces choked all to hell, with the brand name Ellesse brazenly typed across the entire side panel only because Mic-E, Jim, and Natas wore them in a handful of photos. Where did they find them? How come my friends and I couldn't? And what the fuck was an Ellesse?

In the pre-Internet age, everything seemed shrouded in mystery. The clues were few and the answers fewer. But looking back now, I like that there was a simpler time in my life where finding the shoes worn by my favorite skaters was such a priority. And I think it's that brand of nostalgia that has made the Chrome Ball Incident so special for us.

So in honor of CBI's final days, I took it upon myself to unravel the enigma of these elusive Italian sneaks by hitting up my iChat buddy Jim Thiebaud and asking him once and for all where did they find them. His answer: "Some guy sold them, two for one, on the sidewalk on 6th and Mission. Right next to the porno shop."

It really was a simpler time...

Thanks for everything, Mr. Swisher. But just for old times sake, could you post one last photo of Tony Chiala? Whatever did happen to him?


Big thanks to Aaron for doing this. Dude's the best.

6.20.2013

11.22.2011

mark and eric's pack of lies

Eric:

“...not my favorite skateboarder, but he’s my favorite person who rides a skateboard.”

Couldn’t agree more.

I’ve always been a fan of Thiebaud.... from his early days on Powell through earning Natas’ official seal of approval on SMA, up to and including his various duties over there at Deluxe. If there’s anybody that pops in my mind upon hearing the utterance, “True skateboarder,” it’s this dude.

Jim’s name was actually the stuff of legend around my house growing up. Truth be told, that first SMA Avenger board of his was the booty my Mom would utilize to “motivate” me into playing out my last season of little league baseball without quitting. It wasn’t that she wanted me to play… she didn’t want to go to those games either… she just didn’t want me to quit (a valuable lesson learned, aside from all that bribing).

So for an entire summer, that holy grail of boards danced around in my head as I sat in the dug-out, positively hating life at age 11. I was miserable… and played even worse. But I do get a kick out of remembering how I’d pep myself up at times by quietly doing my best version of a Sickboys voiceover impression (“Jimmmyyyy Theeeeeboooo!!”). This actually became my mantra of sorts until I could finally ditch the glove and begin my prospective lifelong career as a full-time misfit.

The autograph shown is from the third demo I ever went to in my life. It was in December of ’90 at Sunsports skatepark in Columbus, Ohio… a 2-hour drive from my quaint little cottage in the countryside. As I mentioned earlier, the Thiebaud name registered big in my household back then so once I told my parents that Jim was coming quasi-nearby on the very first Real tour with the one and only TG and a hot new amateur named Henry Sanchez, they knew they were in trouble. It didn’t really take much in the way of pleading as they could tell that they were either going to take me or deal with the high probability of me running away. Erring on the side of caution, it was my Dad that drew the short end of the stick.

Now I’m known for having a good memory but the details I can recollect regarding this day are pretty ridiculous. The combined forces of excitement and anticipation in a young man can really do wonders. I can tell you everything from the shirt I was wearing (a green o.g. Real logo shirt) to the board I was riding (Ed Templeton’s first New Deal Cat model) to the tape I was listening to in my walkman the entire way up (3rd Bass’ “Cactus Album Revisted”). I can also tell you that it snowed a considerable amount that day which served to put my dad in sterling mood for what was to be a very tense 2-hour Columbus migration. One thing became obvious despite how many times I could hear Prime Minister Pete Nice rhyme about his mazarahti… Dad was pissed! He could barely even look at me as he dropped me off at the indoor park while he went and caught a flick during the wait. “Dances With Wolves”, I recall.

But the demo killed. T.G. did those classic kickflip melons of his and Jim landed a fakie big spin kickflip. Ponytail power was in full effect. Sanch got into the mix with impossible boardslides at warp speed and some Canadian dude named “Sluggo” did his thing on the tranny. The shit was incredible and best of all (at least for the kids), there was hardly anybody there as the weather really took its toll on attendance.

As the demo started the die down, we all started to spill out onto the course to both skate a bit and maybe catch an autograph or two. Everyone was really cool… but I was so nervous. I remember going up to Thiebaud and thinking that maybe I should ask him if he wanted a cup of coffee to drink because I knew he liked it… (an unlikely choice considering he’d been skating for two hours, but what did I know?). Luckily, I opted for the standard autograph request. But it was not a standard autograph that he had in store. I remember he grabbed my nerdy little notepad and really started to go to work.... on something. I couldn’t tell what he was doing but I knew the secret of life was about to be unlocked right here in Columbus, Ohio by our visiting friend from the West. I remember there was already a crowd of people around but the longer Jim took to scribble, everybody in the immediate area started to gain interest in what was going on. There was really starting to be a buzz. Heads began to cock with curiosity. What was he doing? It was like that Little Orphan Annie Decoder Ring scene from A Christmas Story, only with Limpies product placement.

It probably only took about 30 seconds but this unexpected turn of events involving such an important personalized communicae from my main man was enough to throw me into frenzy. With one last scrawling line from his bic, he was done. “I hope you like it,” he said. What he would then handover was one of the illest things my pre-pubescent eyes had ever seen. “Real” then “Thiebaud”, all right beside this big ass face! Sick! I knew he did poetry and stuff but now art, too? Incredible. So incredible, in fact, that my mind had blown all circuits… on some R2D2 shit. I was incapable of speaking. All I could do was look dumbfounded at this drawing and quietly walk away. Overload. My brain was smoking.

It wasn’t until I was about 10 feet away that the notion of actually thanking him for doing that even came to mind. "Oh shit!" I turned around and there he was just staring at me. Bummed. I hadn’t even the wits to thank the man for totally making a two-hour drive through snow with my pissed-off Dad totally worth it (not that he even knew!). I went to speak out but he'd already turned his attention to the thirty other kids hovering around him. The damage was done. I was incapable of going back. The dye had been cast. I suck. The aura of stoke, the true culprit of this crime, quickly vanished leaving behind only guilt in its wake.

“How was the demo, Eric?”

“Dad, Jim Thiebaud thinks I’m a dick.”

11.21.2011

mark and eric's pack of lies

Mark:

So, speaking of Public Enemy…

I’d seen him in Animal Chin doing the wallrides. I’d seen the ad with him and Tommy in their drawls. But I didn’t really know who Jim Thiebaud was. I knew he wasn’t pro and that’s about all I knew. C’mon, I was like 11 and if it wasn’t Cab or Lance, it wasn’t really on radar. Then came Public Domain. What I took away from that video is that he had more bails in the bail section that anybody else, but by the looks of the Experimental board he was riding, he was turning pro. The guy with all the bails who stood around in his underpants. What was I missing? I didn’t get it. And then all of a sudden, things started changing.

He got on SMA. That sold me. To be associated with Natas, that was something that would legitimize anybody. His first pro model was really cool (I had the original one, with the Joker.). I learned kickflips on it, so that was a good association. Then Speed Freaks dropped, and I truly became a fan. The half-flip. The super-long manual. The fact that he spent half the part saying hi to all his friends who happened to be all the skaters I loved most. He has those elusive Ellesse shoes I couldn’t find to save my life. He had long hair. He skated fast. And he had a Public Enemy beanie. That was the clincher. All of a sudden he seemed, I don’t know… bad-ass. Without that beanie, the transformation might not have seemed as complete.

Soon after, A Reason For Living came out, and his part in that was on a new level. Totally ripping. A second pro model came out, and it was dark and weird and rad. Poetry. Giraffes. Tripped out coffee mugs. There was definitely something cool happening here. A lot had changed in skating and my personal taste since Public Domain, and as I was getting more into the underground world of skating, as opposed to the Vision Streetwear world, Thiebaud was more and more up my alley. That late classic-period of SMA, when it was Natas, Jim, Julien, Mic-e, and a very young Sheffey, was an incubator for awesome ideas, skaters, and graphics and I had been sold on all of it. Then came Real.

Being in the Bay Area when Real was just coming out, it was like there were all these whispers about it. New company. TG. Thiebaud. Shhhh. Coming soon. The day the boards dropped, people were riding them everywhere, and Jim’s graphic was immediately iconic. This was a guy who was saying something, and it was bold and it was righteous, and coupled with his SMA-era stuff, Jim was fast becoming a favorite for me.

Those early Real days felt like you were part of a fan club. Little Xeroxed letters/collages came in the mail. Jim’s words and handwriting were all over them. I replied back by sending a bag of coffee beans to him at Deluxe. I’m sure they went straight into the trash- who would brew up some coffee that a weird unknown kid sent through the mail? One of the little letters had the announcement that Thiebaud had two books coming out on something called Caffeine Machine Publications- they were called Do The Distance and Loose Change. The guy was a writer! He seemed so cool already, so his stories must have something awesome about it. I ordered them, and then absorbed them. They were mind-blowing to me, and had a major impact on me in terms of opening my mind up to skaters being creative in a multi-faceted way, and it encouraged me to pursue and take seriously artistic aspects and interests in my life. Years later, I even wrote a paper about him as a poet for a college English class.

1991 was a huge year in skateboarding in terms of progress, and in all honesty, Jim was soon replaced for me as being a favorite skater- I mean, damn, anybody would have a hard time competing with what Gonz, Jason Lee, Brian Lotti, and Jovantae Turner put out that year. But Thiebaud had etched a place in my mind. For years after, I thought of him like this: he’s not my favorite skateboarder, but he’s my favorite person who rides a skateboard. I still got his boards (how could you resist that slick series with him in a rabbit suit?) and was stoked to see photos, but his lasting impact on me was more as somebody who represented idealism, and thought behind image. That was heavy.

Jim Thiebaud, good for two with a jump shot.

5.17.2010

chrome ball incident #475: bring the noise











"it's always gonna be us versus them until the end of time..."

hold on to it tight