Showing posts with label sean malto. Show all posts
Showing posts with label sean malto. Show all posts
4.16.2015
nike sb skate free series
A bit in-between things right now so here's a fun little series I was able to direct for Nike SB.
Hope you enjoy.
Extra credit for those who catch the CBI Cruiser BGPs in Malto's house. Was super stoked/shocked to see that lying around.
3.16.2014
chrome ball interview #71: sean malto
Chops sits down with KC's finest for conversation.
Alright Sean, so on
average, how often does someone come up to you and emulate one of your more
notorious super fans with their best “Sean Malto! SEAN MALTO!” impression?
(laughs) Oh man, that’s been insane. Those clips went viral
so fast… I ended up getting so many text messages that day. Everyone was
tripping. But it’s funny because even as much as people have tried to emulate
her, no one has truly been able to match the excitement of that girl. It was so
crazy.
Which one is more
popular, that girl or Jack Black’s “Do it for the Skate Gods?” I have to
imagine you got that one a lot, too.
The Jack Black one was a lot at first but the “Malto,
Malto!” one has been lingering a lot longer for some reason.
What’s the backstory
with that one?
It was at a signing down in New Orleans. It was raining out
and we knew we wouldn’t be skating so we were just taking our time getting to
the shop. When we finally arrived, those two girls were right at the front of
the line. Who knows how many hours they’d been waiting but when they saw us,
this girl just went ballistic. I’ve never had that sort of thing happen to me.
I didn’t even know what to do.
But yeah, that girl... I think her nickname was “Potatohead”
actually. We were supposed to go on a date to
Taco Bell.
Did that ever happen?
No, but I’ll leave it open. (laughs)
Meeting new people is one of the best things about skating.
Just be nice and roll with it. I never thought I’d meet someone who had that
much love… it really is flattering.
So how’s your foot
doing? When can we expect to see you back on your board?
The foot is doing well. It’s a little bit ahead of schedule.
Right now, I’m set to come back at the end of March but that’s just basic
rolling around. I probably won’t be fully skating until the end of April. I
still have a little bit of time but, like I said, I’m ahead of schedule.
Hopefully this process keeps speeding up and I can get back on my board sooner.
I know you’re up here
in Portland doing Bo Jackson-type rehab stuff and I’ve also seen you on the
Berrics documenting yourself out traveling around for appointments. You
definitely seem to be taking this whole recovery process very seriously.
Well, what I had done was a common ankle procedure so there
is a basic framework in place with guidelines to follow. Plus, I’m younger and
a bit more athletic than the typical patient so that helps... but at the same
time, I’m not trying to just be able to walk again. I’m trying to get out there
and jump down 12-stairs all day. So, it’s a little more difficult knowing what
those rules really are.
I’ve been talking to different people that have already gone
through this… Torey Pudwell, Rick McCrank, Ty Evans… I guess it lingers for a
little bit but the more physical therapy you do, the faster it works itself
out.
I know you largely
put the foot photos out yourself through Instagram. They’re obviously gnarly
but did you expect the reaction it got? Does it freak you out when everyone starts
weighing in on your injury like they’ve been? I know people have come back from
much gnarlier injuries but they weren’t so public about it…
Yeah, I did it to myself. (laughs)
If I didn’t want anybody to ask about it, I wouldn’t have
posted it. I put it out there. People are just curious. I mean it’s cool when
kids tell me that they can’t wait for me to come back. But there’s also the
kids that think it’s career-ending… the ones on Instagram who are asking me if
I’ll ever be able to skate again.
I’m fine with it, though. I’m confident. Talking to other
pros that have gone through the same thing, it’s a standard ankle procedure.
The success rate for coming back from this type of injury is 95%. The way that my ankle folded probably meant
that it was probably loose in the first place. It will take me a little longer
to come back from having the surgery but when I do, I should be even stronger
than I was. My ankle will be tighter so I’m excited about that.
But honestly, doing stuff like the Road to Recovery videos has been really cool. Being able to film
what’s going on with a GoPro for those things has been good because it’s
something I can do. I’m going crazy not skateboarding.
What will be the
first trick you do once you get back on your board? And what’s the first real
hammer-type trick you’re looking forward to trying? Are you going to attempt
that varial heel again?
The first trick is always that KFC, that kickflip challenge.
My friends and I have this joke where everyday when we wake
up, we do the kickflip challenge. Before you’re warmed up, it’s the first thing
you do for the day. Just to do it. It
will be interesting to see a kickflip challenge 4 to 5 months later. I have
never been away from skating this long so hopefully I can do that first
kickflip.
Other than that, I’ve been piling a list together. It’s hard
to say the first one but I’d love to go back and try that varial heel again.
Down that gap that I hurt myself on, I’d love to do that.
The more I think about what went wrong, I’m confident that I
can go back and do it. It’s not the gap’s fault because that spot is perfect.
It just didn’t work out for me. I was unlucky and bailed too late. But I know
what I did wrong. The only thing that sucks is that it’s a fountain in Kansas
City that you can only skate during the winter. By the time I can skate again,
it’s going to be full of water. I’ll have to wait an entire year to go back for
that one.
Aw, man… you’re
tempting fate with that one. So for the record, how do you respond to those
outspoken critics of your trick selection? And how much of that do you think
stems from your skating in contests, where such consistency is a necessity if
one expects to actually do well? I mean, anybody that has paid attention to
your skating in the mags and in videos (your insane TWS “And Now” part, for
example) knows how big your bag of tricks really is.
I have to say that it is a little annoying to hear that sort
of stuff. People are always talking about how I do the same tricks over and
over again and that I’m boring. But those are the tricks I like to do and I
have fun doing them. That’s the why I skate. Who cares?
It was actually more annoying to put out a part that I
really worked hard on and still hear that. There were tricks in there that I’d
never done in my life… like that backside overcrooks kickflip. I’d never done
that before. I felt like I did do different tricks in that part but I still
heard that stuff.
And yes, everyone watches these contests and thinks I do the
same tricks. But it’s a contest!
Exactly.
Contests are built for that. You can’t fall. It’s all built
off consistency and these tricks are the ones I know will get points. That
really is the whole strategy portion of it.
There are tricks that I could possibly change up for it… to
keep evolving. But I know an overcrooks kickflip will get me a high score
almost everytime. I don’t think I have another trick that will get me that high
of a score. I could try a backtail kickflip but it might not score as high.
And in a contest
setting, why would you do that?
Right. I know I’ll get the highest score with this trick,
that’s what I’m going to do. It’s strange to think about it like that but
that’s how it is.
Did any of that trick
selection criticism play into how you filmed for Pretty Sweet? Was there
anything in the back of your head to where you were possibly trying to answer
those naysayers?
Yeah, it did… which sucks. I’d go to a spot and think that
it’s a good spot for a nollie front feeble but then start thinking about how I
can’t do that now. That I should do some different tricks. But that’s just
skating in general. You always want to learn and progress… regardless of if
kids are making fun of you or not. (laughs)
But again, if you’re going to put yourself out there for
public view, you have to be able to handle that kind of thing. I’m just trying
to skate how I want to skate. These dudes can figure it out and talk shit… I
don’t care how you skate. I’m excited to learn tricks and if I don’t, that’s
fine. I like the feeling of doing an overcrooks. I like the feeling of
hardflips. I’m not going to change the way I skate because you think its lame.
How was your
experience filming with Ty and dealing with all the pressure that a big video like
that involves? That was especially a huge part for you…
The whole process was crazy because it was originally going
to be just a Chocolate video. I remember being actually bummed at the time
because it always seems like I just miss videos. All throughout my career, I
just miss these projects. It’s really weird. I have this one Transworld part
and that’s it. So I was bummed, man. I thought I was missing another
opportunity.
But Pretty Sweet
slowly transformed into a Girl and Chocoate video and when they finally hit me
up about it, I was so hyped… until I realized that they’d already been using
all my footage over the years! (laughs) Free DVDs were such a huge part of
skating when I was coming up that I’ve literally had all the stuff I’ve ever
filmed on trips put out on those things. I’ve never had to save footage for a
big part before.
But alright, whatever. Clean slate. Let’s do it.
Honestly, I was just excited to be in the van with Rick
Howard, Mike Carroll, Gino and the Trunk Boys… it was so much fun. A great
experience.
People always trip out on Ty because he’s so gnarly. I
remember hearing all these stories from Fully
Flared that were all so crazy. He definitely goes above and beyond. But
honestly, when I started working with him, I really liked it. Trips were all
very productive. He got you up in the morning and you skated late into the
night. However much torture you went through, at the end of the trip, it felt
good to look back on it. They were real skate trips, strictly skating. It was a
full experience. I was psyched on that.
He does apply some pressure but he’s smart about it. If you
get to a rail at night and you’re looking at it but not sure, he say something
like, “I’m gonna put some lights on it just so you can see it better.” (laughs)
He puts light on it and chances are, you usually start
skating it.
It’s weird to say but it’s almost like he’s your caddy in a
sense. Because he’s around you all the time… you’re skating with him for years
and he knows what you’re capable of. He never put me in some situation that he
didn’t trust me in. And just seeing him visualize something and trusting me
like that definitely gave me more confidence. It was like a partnership between
the skater and filmer that worked really well for Ty and I.
Gotta ask about that ender-ender… the overcrooks kickflip out. Didn’t that come right at deadline for you? Was that something you’d been thinking about for a while?
Yeah, it came super late.
I actually started thinking about it after I did that front
crooks across the 3-stair ledge to kickflip out that’s also in the part. That
was the first one of those I’d ever done but it took me a really long time.
After I did it though, I kinda started figuring some stuff out. The problem was
that I wasn’t getting the leverage because it was a front crooks. But in a
overcrook on a flatbar, I realized you had so much more room to dip it down. So
I ended up going home to my skatepark and… this doesn’t happen to me… but I
swear it was 3rd try. I couldn’t even believe it.
So Moore Park is basically my backside overcrook rail for
some reason. Everytime I learn an overcrook variation, I go there because it’s
mellow. I already got an overcrook fakie and overcrook shuv-it there, maybe I
can kickflip out of one there.
But on the rail was a different story than earlier on the
flatbar. I had to go there 3 separate times before I could get it and with that
spot, you can only skate it on Sundays. The deadline was coming and I didn’t
have that much time left, especially if I can only skate it one day a week. And
at this point, Ty is editing so I can’t even skate with him. I had to go with
Federico.
What was crazy was that third time we went, he had rented
this crazy camera that he’d never even really used before. It took to people to
operate! So here I am trying this trick I’d never done before, the deadline’s
coming up and Federico might not even end up filming it! I was tripping but it
ended up working out.
Honestly, it didn’t feel like how I wanted to do it when I
finally made it so I kept trying for another hour. But once I really looked at
the footage, I thought it was fine.
You didn’t check the
footage after you made it?
I thought it was good but with it being the deadline of the
video, I felt I might as well keep skating and try to get it perfect. But it
worked out. Federico filmed it perfect.
From the ender back
to the beginning, who came up with the idea to grind that rail in your house in
your pajamas? Such a nice touch. Had you skated that rail prior?
It was my idea… but honestly, I wasn’t serious when I
brought it up. When you’re on these road trips, you get bored and start talking
about whatever. That’s one reason why talent alone isn’t enough to get you
sponsored, there really is so much more. You have to be someone that people can
really get along with because those van hours are a big part of it.
But yeah, that came out of one of those trips in the van
where I just happened to be talking to Ty about my new place. I mentioned there
was a rail there that was probably 50-50able if someone wanted to. Again, I
wasn’t really being serious when I brought it up. We were just in the van. But
just by being a skater and seeing the rail everyday, of course, I’m going to
think about skating it. I think about triple kink rails that I see as I’m out
walking around, not that I ever would skate them but it’s just something that
you do as a skater. You just trip on anything.
So a few months down the road, there’s a trip to Kansas City
and Ty starts asking me about the rail in my house.
“It’s whatever, don’t worry about it.”
So the last day we’re in Kansas City, Ty’s comes over to
pick me up and we’re gonna skate this perfect 10-stair rail we know. Cool.
Ty pulls up. “Hey, I’m going to come inside.”
Well, that’s a little weird but maybe he just wants to kick
it for a little bit before we go. That’s fine.
So not only does Ty come inside but so does literally
everybody from the van. He starts looking at the rail and goes, “Let’s do it.”
“Do what?”
“Let’s film this right now, the intro to your part.”
“I don’t know, man. Maybe we should come back. Let’s go
skate and come back.”
“No, let’s do it now… Just roll up to it a couple of
times. I want to see you roll up to it a
couple times.”
Okay, whatever. So I start rolling up to it.
“What do you think?”
“I think I can get up onto it.”
Next thing I know, he’s already mobilized the whole crew in my place and their fully moving all my furniture around. Moving my entertainment center out, putting a mattress in the window… just like that. I’m just sitting there watching this whole pit crew of people set everything up. I can’t even believe it. Ty’s asking me if I have any pajamas. There’s a camera on a dolly all of a sudden. It’s crazy.
Next thing I know, he’s already mobilized the whole crew in my place and their fully moving all my furniture around. Moving my entertainment center out, putting a mattress in the window… just like that. I’m just sitting there watching this whole pit crew of people set everything up. I can’t even believe it. Ty’s asking me if I have any pajamas. There’s a camera on a dolly all of a sudden. It’s crazy.
The only thing I could think about was what if I get smoked
on this thing? What if I come up short or get broke off somehow? I’m going to
have to move! I own that place. If I get hurt, this is gonna stick with me
because I see that rail everyday. It will be devastating.
But at the same time, I can’t live in a place where a rail
is possible and not do it. It’s just going to nag at me. I was basically
screwed. So I did it. I had to do it 4 times actually but it worked out.
Honestly, now I kinda want to put skatestoppers on that
rail. I don’t ever want to have to deal with that thing again. I’m never it
again. It’s done... I might even cut it out. (laughs)
Were you pleased with
how the part came out? Jack Black seemed pretty psyched on it and I know Guy
called your part his favorite in the video…
Oh really? I didn’t know that. Thanks Guy!
I was excited but you always want more. That will never
stop. When I personally look at my part, I see what isn’t there, too. So I just
want the next part to be better. You see someone like Marc Johnson: he’s done
like 16 video parts and each one of them keep getting better and better. I’m
not saying that I can do that because Marc Johnson is one of a kind, but in my
head, that’s what I want to try to do.
I really want this Chronicles 3 part I’m about to start
working on to have a little bit more variety. It would be cool to skate some
transition. I’m definitely not good at it but there’s 2 years for me to figure
it out. Maybe I can get a tranny clip at some point in that time. But I would
like a more well-rounded part, for sure.
The gnarly stuff people are doing now is just psycho. I’m
honestly not sure how long I can keep up with that stuff. I mean, that kid in
the latest Thrasher did a 25-flat-25 and it’s only on the Contents page! Come
on!
Did you realize BA
and Alex were going to be leaving Girl shortly after Pretty Sweet premiered? I know you played around with the team
changing trend at one point by posting a blank board on your Instagram for fun…
which immediately sent the Internet into an uproar.
(laughs) Yeah, I texted Mike Carroll before I did it to see
if it was okay, just to freak some people out. We thought it would be funny.
20 minutes later, all these guys are yelling at me. I had to
take it down.
I had no idea about Brian. I think that was a big surprise
to everybody. But whatever, it’s all skateboarding. I’m psyched he’s doing
something that he wants to do. He has so many ideas and for him to have a place
to put it all is great for him. He’s obviously a great artist and when I see
his 3D stuff, I get psyched for him. I didn’t know about Alex either… I’m sure
he’ll come out with something great as well. I wish those guys the best.
But it is a bummer, though. Those dudes were such a big part
of the video and not just the skating. Just to have them in the van was great.
But I’m happy for them and I’m also glad I still get to hang out with them on
Nike trips.
World Park re-creation
videos, reusing old Jason Lee graphics, and not to mention being around so many
legendary dudes on the Girl/Choc squads from that era... I know the 90’s was well before your
time but have you gone back to check out any of that stuff over the years?
Talking about spending time in the van earlier, I have to imagine a lot of this
stuff coming up in conversation quite often.
I’ve definitely gone back and watched older videos. I’m sure
I can still get schooled on a million things in skating and I don’t want to act
like I know it all but I’ve seen a lot of that classic stuff from spots like
EMB, Hubba Hideout, and Pulaski. It’s cool to go back and check out all that
older footage. Just watching Video Days
and seeing stuff that Gonz did that I didn’t even realize had been done before.
It’s cool. And you’re right, going on trips with those guys, that stuff is
always in the mix. I’ll see Koston do something crazy and have to ask him,
“What era was that?”
You’ve essentially
grown up in the skateboarding industry… thrown into the pit on things like
Beauty and the Beast at a very young age. What’s the most important tip you’ve
learned after all these years on the road?
Well, an important one is to definitely not be the last one
in the van.
That actually came from one of the first nights of Beauty
and Beast. I was so hyped to be on that trip... setting up the tents and
everything. But I wake up that first morning and get out of my tent to see
literally everyone else with their tents packed. They’re just chilling and
ready to go and here I am, the only one out of the crew that isn’t ready. Out
of 30 dudes, they’re waiting on me. It was so embarrassing. So from then on, I
was always ready.
Another thing is that if you want to go skate something,
don’t feel bad about it. I remember feeling when I was younger that if nobody
else wanted to go skate a spot, we shouldn’t go there. But I’ve learned with so
much downtime on a trip, people usually get psyched when anybody wants to skate
anything. There’s always too much time wasted on deciding where to go. Usually
people just don’t know where they want to go so when someone actually does,
people get psyched. And knowing there’s a support group behind you is sick.
But even if Carroll wants to go skate some spot that I would
never skate, it’s cool because, at the very least, I’ll get to watch Carroll
shred.
One of my favorite
covers in recent memory, talk a little about that backside noseblunt down
Stanford for Thrasher. So insane, man. What was your process like for that one?
Did you go there specifically to do that? That had to be scary.
You know, sometimes skate trips just work out like that. I
honestly didn’t even know that hubba was there. I mean I’d seen it before and
recognized it when we came up to it but I didn’t know that was the spot we were
at. But I was psyched. I started rolling up to it and everything felt good so I
started trying it.
It honestly wasn’t even that hard or scary for me to do…
it’s not like it was easy or anything. I’m not saying that at all. But it was
one of those times where as I was rolling up to the spot, everything was
feeling right. I was feeling good with that trick and just happened to end up
right there to do it. Right place, right time. I was confident that I could get
it. Not to say that I haven’t been confident about a million other things that
I haven’t landed but that one was cool.
But it felt good because until that point, Thrasher was the
last mag in the US that I hadn’t gotten a cover for yet. I had every other one
up until then. I didn’t know that shot was going to be the cover but when it
came out, I was hyped.
Is that your favorite
cover you’ve gotten? You’ve definitely had more than a few…
Well, I’m friends with Atiba and I love the Skateboard Mag
and everything… but yeah, that Thrasher one remains my favorite. It’s just a
classic skate mag, you know? You gotta trip on it. Plus, with it being the last
one, it really felt like a real monumental thing for me.
I always liked that
Skateboarder cover with the tre flip over your namesake gap. Wasn’t that your first cover?
Actually my first cover was a front feeble for Transworld. The Skateboarder cover was the very next month. It’s funny because I remember seeing that Transworld cover for the first time and not even believing it was real. I’d never gotten a cover before and here it is with Blabac who’s such a classic photographer. I was tripping.
Actually my first cover was a front feeble for Transworld. The Skateboarder cover was the very next month. It’s funny because I remember seeing that Transworld cover for the first time and not even believing it was real. I’d never gotten a cover before and here it is with Blabac who’s such a classic photographer. I was tripping.
But I remember all my friends texting to congratulate me on
that cover… and then a few weeks go by and people are still texting me with
things like, “Awesome cover.”
I thought they were still talking about the Transworld one!
I didn’t even know about the Skateboarder one!
That’s incredible,
man. So that’s all I got, Sean. Thanks for taking the time to sit down. I know you’re currently rehabbing but what
plans do you have coming up after you’ve put all this injury stuff behind you?
After my ankle gets better, I’m just looking forward to
really diving into Chronicles. I’ve already been talking to people about
filming trips and things are looking good. This video is gonna be pretty
intense. I’m psyched. We got a good crew lined up. We’ll see how it all works
out.
Special thanks to Kaspar Van Lierop, Aaron Meza, Ben Colen and Trevar Cushing.
Special thanks to Kaspar Van Lierop, Aaron Meza, Ben Colen and Trevar Cushing.
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