chops and vinny break bread.
So Vinny, I did some
research and I gotta ask: Why are you afraid of little people, man?
(laughs) You had to set it off like that, didn’t you?
I honestly don’t know, man. People are scared of irrational
stuff. I’m scared of midgets. I’m sorry if that’s not the correct term:
midgets, dwarves, little people… fuckin’ monsters. I’m sorry. They scare the
shit out of me. I don’t know why but whenever they’re around, I just can’t act
right.
I was at Ted Newsome’s wedding a while back and all of the
guys went out to eat at Hooters one night. And Reda… you know Reda, right?
Yeah, he’s the one
who told me to ask this question.
That prick cocksucker.
So anyway, we’re at Hooters eating and a whole family of
them just happens to walk in behind me. I don’t even see them come in but all of a
sudden, Reda’s laughing, telling me not to turn around… so, of course, I gotta
turn around. I had to run out the fucking restaurant.
I have nothing against them. It’s not like I hate ‘em or
anything. I’m just petrified of them. I’m truly scared. I’d rather hang out
with a bunch of dirty, drunken clowns then see a midget walking down the
street.
We’re probably gonna
get some comments on that one. So moving on… deep in the NYC mix, even after moving
out to Jersey as a teen, what was it like growing up as a little dude yourself on
the streets of pre-Guiliani New York?
It’s pretty insane to look back on. We’d roll around 15-30
deep all day, every day. It was cool because as long as you didn’t look like
you had a gun, cops didn’t really give a shit. Real talk, we’d be wildin’ out
and cops would just roll right past. But at the same time, we never really
posted up at spots either. People didn’t really skate spots in New York back
then. We just skated down the street, hitting whatever you saw. You might get a
trick, boom, and keep it going. There was no Seaport or Pyramid Ledges. We
might meet up at the Banks or warm up at Astor Place but that was it. It was
different back then.
Anything stand out as
a particularly sketchy experience from back then?
I got crazy stories, man. What do you want to hear? Like, I
remember all of us skating to the Tunnel one night. On the way there, we
crossed 26th Street where all the hookers and pimps were at. Some
shit went down and Harold ended up slapping a hooker. Next thing I know,
there’s a pimp shooting at us.
I brought up the Banks earlier. I don’t think people
remember how sketchy that spot was. Anybody who wasn’t from New York was
getting robbed. It was that simple. But at the same time, on the flipside of
that, I remember this one time at the Banks when a few of these hood kids from
Brooklyn tried robbing one of our friends. This kid tried taking our friend’s
board, not realizing that all 150 of us kids skating there were together. Next
thing you see is literally 150 skaters chasing this kid across the Brooklyn
Bridge. Shit got wild.
I was reading Berra’s
piece about first meeting you as the world’s loudest 13-year-old at Woodward
Birdhouse demo back in the day, talking shit on him and everyone else after
every missed trick. Would you do that kinda shit at demos often?
Where I come from, you talk shit. If you can handle it, then
we become friends. If you can’t, you’re a pussy. I talk shit to everybody.
That’s what I do. No one ever really got bummed because it was all in good fun.
You gotta remember that I met all those guys at Woodward… Berra, Alphonzo
Rawls, Fred Orlande. We’d all just be hanging out and became friends. That’s
how I made a lot of friends actually.
Was shit ever
reversed down the line where a kid tried doing that to you at a demo?
Nah, they never did. Honestly, the only shit talk I’ve ever
gotten was on the internet.
It’s good for that. Explain Dead End Skateboards to kids who might not have been around
or paying attention back then. I always loved the brand and they always had quite the cult following… there’s still Dead Endustries stickers on almost
every toll booth and toilet stall you come across on the East Coast to this day.
Yeah, Dead End was a small brand out of New York back in the
day. It was all from this guy, Vinny Raffa, one of the best dudes ever. If it
wasn’t for Vinny, I know for a fact that Danny Supa, Javier and myself would never have gone anywhere in skateboarding. We were still really young but he
happened to see us out skating somewhere and started hooking us up with product
and rides to contests.
He put us in the circle, man. We were too young at the time
to realize how grateful we should’ve been to him. He’s just a nice, generous
guy.
Was that your first
sponsor?
No, but to be honest, I’m a little embarrassed about
anything earlier than that. I mean, like I said, I can talk a lot of shit. I’m
a talker. So I started doing this thing where I’d flip through magazines and
call all the companies to try and get free shit. Next thing you know, I’m
getting hooked up by all these crazy little companies just from talking shit.
I’m getting boxes from Flyaway helmets! No sponsor-me videos or nothing…
Flyaway helmets!?!
Yeah! I’m fucking 12-years-old, sitting there with 8 Flyaway
helmets! I look like a kook but I didn’t care, I just wanted free shit!
Incredible. So going back to your more legitimate
sponsorship days, what was the story with that crazy Dead End Team Mixer ad you
were in? Send $10 for a mixtape. What the hell was going on there?
That was all for shits and giggles, man. Just for fun. I was
already DJing by then and everybody knew I was heavy into rap. Vinny Raffa just
wanted to do something stupid. I remember him coming up to me like, “I know you
DJ and your pants sag, let’s take it a step further. Just make it wild style”
“Fuck it. Let’s do it.”
Don’t forget that you had to do ad minimums back then in
order to get in magazines. That was actually a lot of money but Vinny put it
up.
That hat was pure leather, by the way. Just to let you know.
Was there really a
mixtape? Did you make that?
(laughs) To be honest, I never made that mixtape. I only made
mixtapes for Raekwon, never Dead End.
It was around this
time that you made some serious waves in Transworld as the “first to ollie the
Love Gap”… a caption that still stirs controversy to this day. Leading the
detractors, one Choppy Omega has been very adamant over the years about his
doing it first…
I know! Choppy is serious!
Not to be rude, and I love Philly to death, but I do think
people got butt-hurt that I got the first photo ollieing that gap. Know what I
mean? I’m sure they’d much rather have someone from Philly have gotten the
photo.
Everyone always brings this up, man. The truth is that I’d
never even been to Philly before that day. Vinny drove us all down for a
contest. All the top dudes were down there and we were hyped. I remember
skating around and all of a sudden, it’s thrown out there like, “Whoever is
first to ollie the Love Gap gets $200 bucks!”
So I ollie it and I get the money. It was only when they put
it in the magazine with the caption that I was the first to ollie it, that’s
when people started saying shit. My reply, and I’ll admit that I might’ve been
a little drunk back then, a little high… but I remember saying “Yo, if you
don’t got a picture of it, don’t start talking shit.”
That’s what I’d always say, which probably didn’t help the
situation much. But I never claimed that I was the first to ollie it ever.
There was no claiming first back then. It’s like being the first to ollie over
the Brooklyn Banks Wall… I have no idea who really did it first. A lot of
people did it, regardless of photos. I mean, Supa and I used to drive around,
ollieing way bigger gaps than Love back then. We definitely weren’t the only
ones doing shit like that.
Choppy’s saying he’s
got an exact date with witnesses.
I mean, come on. That shit is funny to me.
But yo, much respect to Choppy. I don’t know him and I’d
never diss him. Too bad I didn’t see the footage. Too bad I wasn’t there. I
mean, I can say I did whatever down the Hollywood 16, too. But yo, much
respect.
How’d you and Supa
end up on Tree Fort? What was the story with that company?
Yeah, Tree Fort was through Troy Morgan, the guy who went on
to do Kayo. He started Tree Fort out of his garage. Like I said, I was good
friends with Alphonzo Rawls and I was out there visiting one time, we ended up
stopping by Troy’s house. We go skating and Troy asks me to ride for Tree Fort that day.
From there, we started getting a team together. Tree Fort
was cool, man. It was a lot of fun. My thing was that I still felt we needed
another East Coast dude on there but everybody kept on telling me to chill. I
pressed it though.
“Trust me. Fly Danny Supa out here.”
Within 5 minutes of Danny landing out here, he switch
kickflips up a picnic table. This was back in 1995. All of a sudden, these guys
want him on the team!
“Nah, chill. I thought you guys didn’t want anymore East
Coast dudes.” (laughs)
We’ve already talked
about how territorial heads were back then, did you get much shit for riding
on a west coast company from friends back East?
Honestly, not at all.
Growing up with skateboarding in the 90’s on the East Coast,
it was more about holding your ground wherever you were, period. It wasn’t just
some coast shit, you had to hold down your spot. When you went skating and saw
another skater getting fucked with, if you didn’t help them out, you were gonna
get your ass kicked later by the rest of the crew. Everybody had to hold
their own.
For example, I went to college in Boston. My first night
there, I roll up to Copley Square, which was the ill spot at the time. Robbie
Gangemi, Roger Bagley and Jahmal Williams are all there.
“Yo, what are you doing here?”
“I live here now. I live right down the fucking street and
I’m gonna be skating here everyday. What’s up?”
“Just as long as you’re ready to hold it down.”
The same shit happened the first time I went to Pulaski
Park. Brian Tucci and those dudes broke it down to me the same way. You can do
your thing as long as you’re not a punk and if you’re gonna talk shit, make
sure you can fight. If not, get the fuck outta here. It wasn’t as much about
tricks as it was about being respectful. If you’re not local but you’re coming
to these spots, you gotta be part of that. That’s how it was.
So you were going to
school in Boston? Weren’t you going out to Cali a ton at this point as well?
Well, Tree Fort was in Oceanside. Somehow I worked it out to
where I was having them fly me out to San Diego from Boston every other weekend.
Damn, that’s
impressive!
It was nuts, man. We were out skating with all these crazy
dudes like Chad Muska and Rob Dyrdek, going to all these spots… Now don’t get
me wrong, I’ve been to the Carlsbad Gap and all that shit. That shit was pretty
big. I tried to tre flip it and ended up bruising my heel. But for real, one
thing I remember thinking to myself constantly while being out there at first was,
“Yo, this Cali shit is pussy!”
All the spots are golden, man. They’re perfect. Everything’s
so smooth. We were all riding minimum 56mm wheels back in New York while everybody
in Cali’s riding 51s! And on top of that, everything’s mad small. They were
like warm-up spots. I was always wondering where the real spots were.
How seriously did you
take the Tree Fort video? Of course, your part is solid but did you give it top
priority? Because you were all over the mags by then and more kids were bound
to see that shit in comparison.
That’s a good question because at the time, I didn’t take it
all that seriously. I wasn’t trying to kill myself. I was more about going out
with my friends and having fun, skating different spots. I wasn’t used to that
Cali life of going to spots and trying to get this and that for the video. I
definitely wasn’t sitting around making lists or whatever. It was more about
wherever you ended up. I think that’s probably how I was able to get so many
photos in the magazines. I didn’t have to think about some crazy part but I
could get photos as I went.
I mean, my ender for that is me falling into a sand pit. I
just got done smoking a blunt and I got wrecked! It was funny! This was the generation before kids started looking at videos like,
“It’s time to die.”
How’d that double-kink
frontside boardslide for the cover of Transworld happen?
The story behind that is basically what I was just talking
about: going out and skating around with my friends. I knew that I was
going to try and get a photo that day but I honestly had something else in
mind. My thing is that I always liked to bring my boys to come skate along with
me to help pump me up. So we’re skating around and we end up at that
double-kink. That spot wasn’t even for me. It was for Caine Gayle. He brought
up wanting to 50-50 that thing…
“Oh shit!?! Alright! Let’s go!”
We’re all family so Alphonzo and I go with him for support
or whatever. I was actually thinking about frontside boardsliding the Oceanside
rail for a photo later that day…. I wasn’t even going to try a front board on
that double-kink until Caine brought it up. But that’s how it worked out.
I gotta admit that the one I made was kinda wack. I did do
one right before where I slid down the whole thing, even the bottom part, but I
hit a crack and fell right when I landed. I ended up going a little faster and
did it but I didn’t really like it. I flew out and it was kinda sketchy but
that’s the photo they used.
How’d Zoo get into
the picture?
Tree Fort kinda slowly dissolved. Troy’s investors had lied
and ended doing some bullshit. I’d just finished school in Boston and moved
back down to New York when Zoo York started gaining interest in me. I already
knew just about everybody on the team and was usually out skating with those
dudes everyday, putting in work. I ended up going to this bowling party one
night with my friends and all of a sudden, they have a Zoo York jersey for me,
recruiting me on the team that night.
Did you take the Mixtape project a bit more
serious than the Tree Fort video?
I’m not gonna lie: no, not at all. I was a lunatic at the
time. We were all fucking lunatics. I’m not trying to plan shit out for a video
part. I’m just gonna go out and skate for a few months and hopefully get some good
shit on film.
Honestly, the thing that trips me out the most whenever I
read shit about that part on the internet, they’re always making comments about
that red vest I wore.
I was gonna bring
that up.
It’s so funny. People are always bringing up that red vest
and it wasn’t even my coat! It was my friend’s coat and he doesn’t even skate!
I was just wearing it because I was cold. That’s the only reason I have
anything to do with that fucking coat! We were in North Carolina at that police
station down there… but I will say, even though they cut to Diamond D rhyming,
I did that whole line in one try. We were out.
That coat must’ve
been good luck.
People will bring up that red vest and they’ll also say that
it looks like I’m gonna take a shit every time I bend down to ollie. And you
know, personally, that does hurt a little. But hey, who gives a fuck?
Since we’re on the
subject of fashion, what about the cornrows? You gotta admit that’s a
questionable call. And what about the gold VP chain in that ad? You still got
that thing?
Yeah, I still got that chain! I’m from fucking New York, b!
That’s what’s funny about the cornrows: in New York, that
shit doesn’t matter. You can be black, white, Puerto Rican, whatever. As long
as you were you, fuck it! I used to get my hair cornrowed in Boston on the steps
of my boy’s house by all the hood chicks. I thought that shit was dope! I was
big into hip-hop, man! My hair was wild style!
Yo, you can call me a fruitcake if you want but I always
wanted that straight Tony Hawk haircut back in the day, too. Of course I’m
gonna run some cornrows!
Was the Stretch and Bobbito theme always the concept for Mixtape?
Well, Eli Gesner was best friends with Stretch at the time. He’d
hang out there during shows and there was all that classic footage from dudes
coming into the studio to freestyle so I think it all just came about from
there. I didn’t have a say nor did I request any songs to skate to. Zoo York
put it all together. I was just focused on the filming and the skating.
I was psyched because Diamond D is one of my favorites but
that got a little crazy. I remember the first time I met him was after the
video came out, I walked into Fat Beats and he was in there. I just walked up
to him and said, “Thank you!”
“Thank you for what?”
“Yo, thank you for
being in my video part!”
“What the fuck are you talking about? What video part?”
He had no clue about any of it but he played it cool.
I explained it a little more and gave him a copy of the video. Not too long
after that, the Zoo York video ended up getting shut down. I was told that it
was my fault. We’d never cleared any of that stuff.
Damn, but you guys
are friends now?
Yeah, years later, my boy Juju from Beatnuts and I were
partying one night and he formally introduces me to him. We get drunk and next
thing you know, we’re all on a plane heading to Florida to my grandmother’s
house, wilding out in my grandfather’s Rolls Royce. Obviously there was never
any beef. Because Zoo York had used his song without clearance, he naturally
did what any artist would do. He conducted a reasonable course of action. No
beef, no stress.
What were Zoo York
tours like during that post-Kids/Mixtape era?
Going on tour with those guys made Kids look like a G-rated movie. So many stories from back then,
man. What do you want to hear about: money, guns or drugs?
What’s your go-to?
The go-to deals with this one night where we found ourselves
in a bit of a situation. We were in Missouri or Michigan or some fuckin’ place
like that. I’d just gotten kicked out of a bar because I’d basically started
some shit with these dudes. Next thing I know, the whole squad is sitting in
this diner eating when those same dudes from earlier show up. I can’t recall exactly
what set it off, all I remember is Jeff Pang ripping off his shirt in the
middle of the place, screaming, “What’s up? I’m from Brooklyn. What’s good?”
It all spilled outside and shit got real. We all started
fighting. You gotta remember, these dudes were like 220lbs and Supa and I are
probably the smallest dudes there. I see these two dudes step to Jeff so I run
up to help out. As I do, I hear this other guy say, “What’s up, little man? You
want some?”
I end up getting this dude to chase after me to try and even
everything out. That’s when one of my partners finds a rake on the ground and
yolks a dude up. After that, everyone we were fighting just seemed to disappear. They’re gone.
The thing was I didn’t throw a punch and neither did one of
our other boys who will remain nameless. We didn’t run but we didn’t hold it
down 100% either. So when we got back to the hotel, they’re like, “Y’all two
niggas didn’t fight. Now you’re gonna catch it.”
We caught it. Granted we were still young or whatever but we
deserved it. We got through it and we’re better for it. A week later, we’re at
another spot and more shit went down, me and my man definitely held it down and
represented. We had to show how people get knocked the fuck out.
Zoo York was like a family, man. It was serious. If you
weren’t down with the program, you were getting fucked up.
Didn’t you meet Biggie
on a Zoo tour and he recognized Harold or something? How’d that go down?
I’ll tell you dead-ass how it went down. A bunch of us were
flying out from Newark to San Diego for a trade show. Harold’s in front of me
as we’re getting on the plane and as we’re walking through first class, we see
Biggie sitting there. All of a sudden, Biggie looks at Harold and goes, “Yo! I
saw the movie Kids! What the fuck!?!
Come sit next to me!”
We couldn’t believe it but Harold goes and sits down next to
Biggie with this big grin on his face while the rest of us walk all the way
back to coach. I remember sitting back there for the rest of the flight,
thinking about how Harold was wilding out up there with Biggie. I wanted to get
up there so fuckin’ bad.
Harold and I had a good thing going. I’ll always remember
him coming up to me after we landed.
“Yo, I got you something.”
He reaches into his pocket and hands me this crumpled up piece
of paper.
“It’s Biggie’s napkin!”
I unfold and it really is fucking Biggie’s napkin. It’s all
fucked up with stains and shit on it. I was hyped!
“Are you kidding me!?!”
“I know you love Biggie, man. I ain’t fuckin’ stupid.”
I still have that napkin to this day. I loved Harold for that.
I was gonna ask for
your best Harold memory but I imagine that’s probably it, right?
The Biggie one for me is a favorite but did you ever hear
the chicken one? This shit is just so funny, man. Legends never die. It was
this one time where we were literally out skating all day, seriously from 11:30
in the morning to 6:30 at night. I know for a fact that we didn’t stop
anywhere. We’re just out skating from spot to spot. I remember we all sat down
for a second and, out of nowhere, Harold pulls out a piece of chicken from his
pocket and starts eating it.
“Yo, where the fuck did that come from?”
That shit had been in his pocket literally all day and he’s
over there eating it like its fresh out the box. I couldn’t fucking believe it.
I love Harold to death, man.
Zoo was about to
explode with some big investors… why’d you leave?
I got cocky. I felt like I was the only one on the team who
was out there putting in work for the company and that I deserved more. I was
constantly going here and there, out to California and trying to get into the
magazines. The money was coming in, I wanted more of it. I felt like I deserved
more than everybody else because of all that I was doing. But they said they
couldn’t do it for whatever reason… fuck it then, I’m out. I quit the team.
Looking back on it, it was a big mistake. Like I said, I
just got cocky. I was talking shit and I was probably on a good one. I shouldn’t
have left like that but I chalk it up as a learning experience. I can honestly say
that there’s not one company I rode for that I have a problem with. Trust me,
I’d tell you if they were dicks. I love Zoo York and it’s still my fucking
family since day one. We’re still brothers.
How’d you end up on
Dynasty?
I’d known Donger for a while. He was a DJ and I was a DJ so
we had that in common, too. After Zoo, I knew he was trying to do something and
it sounded good. He was on a different path than I was but I respected that
shit. He wasn’t a yes man. He really seemed to know what he was doing and I was
hyped on how Dynasty turned out. I loved Dynasty.
Because we had the DJ connection, I used to love going out
to stay at Donger’s house. We’d hang out and skate and do DJ shit all the time. Sheffey was living above him, too. It was
crazy.
Any good stories with
Shef?
I mean, getting woken up at 6 in the morning with Sheffey
literally standing over top of my head.
“Yo, get up. We’re going on a bike ride.”
“Bike ride? I don’t do bike rides.”
“I don’t give a fuck.”
Back then, Sheffey was on some other shit…
So did you go?
Of course I went! Are you fucking nuts!?!
He literally took me to all the spots he killed in the Life
video. That double-kink rail he did in that? Straight up, you could offer me a
million dollars to try that thing and I’d say fuck you.
But yeah, he’d wake me up all the time to go on bike rides.
We’d go to the San Diego Zoo, we’d go to that old Bus Stop spot and skate…
whatever he wanted to do. Honestly, he was crazy as fuck but he held it down,
for sure.
So how’d you make the
leap into the hip-hop world like you did? It seemed like you were suddenly deep
in the mix with Raekwon, going on tour in Japan with the Beatnuts and DJing for
Jeru at the Static 3 premiere. How
did all that happen?
For me, skateboarding and music always went together. I was always
messing around with both. I was always DJing, I was down with the dudes at Fat
Beats… I’d go over to Amsterdam with Big L and those dudes. That’s just how
shit was. It was kinda gradual until things finally reached a point where Supa
came over to my house one day and Raekwon was there, smoking weed and writing
rhymes. Supa just started going nuts, like, “Dude, that’s Raekwon!”
I never quit skating or anything, I just kinda faded away
from skating professionally as I got more into other shit.
I was able to meet Raekwon through a friend of mine we used
to call Billy Bullshits. You can guess why. This was probably around 2001 or so
and he hits me up about doing a cooking show on tv. He wants to film Raekwon
cooking in my kitchen.
I really didn’t believe him but sure, whatever.
So I’m chilling at my house with a broken leg, smoking
blunts… when all of a sudden, my buzzer goes off.
“Yo, who is it?”
“It’s Rae.”
“Who the fuck is Ray!?!”
“It’s Raekwon.”
“Oh... alright.”
So now Raekwon is in my house. There’s a bunch of white boys
following him around with cameras. Shit is crazy. Rae’s cooking fish in my
kitchen. Billy Bullshits actually came through.
So you know how everybody is always talking about how they
have the best weed? Well, at the time, I really did happen to have the best
weed. I had to bust out this glass jar of weed on Raekwon.
“Yo, you rappers are always talking about this shit. You
guys aren’t smoking any shit like this!”
He looks at it and tries to front… 2 minutes later, he’s
telling everybody, “Cut the show. Cut the show.”
He comes over and starts rolling blunts while I start DJing
in the studio I had set-up in my apartment.
“Yo, you’re my DJ now.”
Just like that. I’m kinda surprised but I play it off.
“Alright.”
I did 4 mixtapes for him after that, straight outta my
house. Shit just went off from there. All of a sudden, I’m sitting around
playing Playstation with Method Man like, “Dude, are you fucking kidding me?”
Somehow I find myself in the studio with these dudes. RZA
and GZA are over there playing chess. Meth and I are bugging out. We’re all
rolling blunts and shit. It was like my all-time rap fantasy!
I remember going back and telling my friends, half of them didn’t
even believe me… maybe Vinny’s too zooted or something. But fast forward a few
days later, we’re all hanging out at my house when the doorbell rings and here
walks in Raekwon with whoever else, wanting to record a track. It is what it
is.
In general, who’s
more fun to tour with: skaters or rappers??
Easily skaters. You never know what the fuck skaters are gonna
do. You wake up in the morning and your leg hurts, you still might be jumping
down 10 stairs later on that day on top of whatever else might come up. Rappers
are cool and I was always psyched to be around them but it’s more relaxed.
Chilling, rolling blunts… that type of shit.
Smiff N Wessun, Jeru, Guru… those dudes used to come over
and chill at my house all the time because I had a studio there. We’d go out to
a bar or something, get fucked up and fall back in at my house later on. I
remember Large Professor coming over and asking to use my MPC one night after
going out. I pass out and wake up to a fucking Large Pro beat on my shit. I
couldn’t believe it. It was crazy. Like, Bushwick Bill came over and tried to
play me for $500 one time…
With your fear of
little people, I’m surprised you even let him in your apartment.
To be honest, I had everything covered. If shit was about to
go down, I was just gonna throw him out the fucking window.
But skateboarding was always first. I used to geek out on
skaters all the time. In comparison, I probably only geeked out on maybe three
rappers over the years. Like, I remember going over to Busta Rhymes’ studio so
he could do a verse for this song Raekwon was working on. After we record
everything, Raekwon asks me if I want to get a quick drop from Busta for my
mixtape.
“Nah, I don’t like Busta.”
Raekwon looks at me and just starts laughing.
“Yo, you’re a crazy nigga, son.”
“I don’t give a shit. I don’t fuck with Busta Rhymes. I
don’t listen to his shit.”
“This is why I love you, man. Alright then, so what do you
want to do now?”
“Well… let’s go get some pizza.”
So I know you were
running Rival in NYC for a while and now you’re over at Kayo on Fairfax, not to
mention being decades deep with your family’s restaurant biz and all this rap
shit, how’d your 40 for 40 part come about for the Berrics? It was great to see you out there but
how’d you even have enough time to make that happen?
I was turning 40-years-old and I got psyched to do a part.
Like you said, I’m still in the skate scene and I thought it’d be cool. I
brought it up to Berra and he was down. He gave me a key to the park, which was
a blessing… I mean, don’t get me wrong, he definitely made sure I knew that I
couldn’t be trying to push out some bullshit. I had to have some tricks in
there or it was dead. But yeah, I’d go in there from 9pm to 4 in the morning. I
worked hard on that thing. Those are some late nights and I really appreciate
the Berrics for making it happen. They didn’t have to do all that for me.
I can’t lie though, that part took a while. There were a few tricks
in there that I’m still trying to get. I tried tre flipping the 10-stair and
made it so many times but couldn’t roll away.
You kept on breaking
boards.
Yeah, I could never make it. But it reached a point after
that where I decided that I was just going to skate and have fun with it.
I mean, that’s how
you’ve described the process for all your previous parts from back in your
“prime”…
Right? That’s what skateboarding is to me. That’s me. I’m
not trying to battle my age. I don’t need a video ender-type part. I just want
to put out something cool on the Berrics. If you remember, Felix put out a part
like that on the Berrics as well. At the very least, let me focus on trying to
one-up him instead of killing myself.
I actually tried to get Felix in there but it didn’t work
out. I got a couple of dudes in there that I was happy about. I remember Nick
Tucker doing that switch inward heelflip down the 10 over and over again. Every
single try. That really fucked me up. This generation is out of control.
The part was solid
though. That had to feel good.
Yeah, I ended up having a birthday party there, too. It was
packed with like 200 kids, all out there skating and having fun. Not that I’m
gonna quit skating but honestly, all that stuff did give me a real sense of
fulfillment with my skateboarding career. There’s so many skateboarders that
never got their due. Think about all the underrated East Coast skaters from back
in the day... We went through some real shit in the early 90s.
There's so much more to it than talent. You also gotta be at the right place at the right time and it helps to have the right friends. Everyone's always been so good to me. Don't ever burn your bridges, man. That's important. It's all about friends, family and growing up skating with each other. I appreciate all of it.
There's so much more to it than talent. You also gotta be at the right place at the right time and it helps to have the right friends. Everyone's always been so good to me. Don't ever burn your bridges, man. That's important. It's all about friends, family and growing up skating with each other. I appreciate all of it.
Big thanks to Vinny for taking the time.
Chops ollied Love first. I was there along with Mel Kadel and Ricky Oyola. The VHS footage got stolen out of Mels car a few months later in Philly.
ReplyDeleteJas M.
So Vinnie was a really rich kid, his gramps had a Rolls Royce? Fronting all these years.
ReplyDeleteSuch a good interview. Thank you Vinny and Chromeball!
ReplyDeleteI wish he had talked about Rival, it was mentioned but Vin didn't say anything. good shit though!
ReplyDeleteAmazing as always! Thank you!
ReplyDeleteI remember he used to come to the skate park at Newberg, NY and kill it. My friend Chris Pole was on Dead End as well at the time. Cool that Dead End was brought up because it was a really small company. I never thought anyone had knowledge of its existence.
ReplyDeleteyeah,another great read!
ReplyDeletethanks'.
Awesome!!! Yeah Vinny!
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Brave idea i ever seen. Keep going guys We are with you still the end. basically i like to ride my Sector 9 longboard in Downhill and also Seems people like me for this reason. Thanks for sharing with us.
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